Friday, September 21, 2012

Comic Book Syndicate Assemble!

I was recently asked to make an appearance on a local comic book TV show called the COMIC BOOK SYNDICATE.  The show tapes here in Windsor Ontario and runs on the local cable TV station Cogeco. 

This is part one of a three segment show they filmed on Batman and his legacy in comics.  We talk a little as well about my upcoming run on Detective.  Check it out!

"New Detective Comics artist (and Essex County native) Jason Fabok guest stars on the Syndicate!
In segment one of our newest episode, Jason discusses his take on drawing
Batman, PLUS he hints at some of the stories to come!"

Watch the segment here:
http://www.comicbooksyndicate.com/new-detective-comics-artist-jason-fabok-guest-stars-on-the-show/

Monday, September 17, 2012

Detective Comics 15 Cover

The cover to Detective Comics 15!

This issue is by far the best one of the bunch and all of them have been written so well by Mr. John Layman.  As I type, Im about halfway through the art for the issue.  Things really start to heat up in this issue.  I also get to draw Clayface which has been fun.

Also, notice the Joker cards?  He comes into play in this issue.  Lots of fun stuff ahead!  Check out the finished cover black and whites.
Cover done 100% Digitally to save my sanity

Layout for the cover

Tuesday, August 21, 2012

Fan Expo Canada Schedule!

Fan Expo Schedule for the weekend! August 23-26th
 

Saturday 8/25
11am-12pm SIGNING (DC Entertainment Booth #1037)
 

Sunday 8/26
12-1pm SIGNING (DC Entertainment Booth #1037)
1-1:50pm PANEL (DC Entertainment – All Access SUNDAY! – Room 716 w/ Greg Capullo, David Finch and others!)
 



I'll also be at table P19 all weekend chatting and signing in Artist Alley! My commissions list is full at the moment (and I want to thank you all for the MASSIVE response!) But I will have some original art to purchase there as well.  Come by, say hi, and have a fun time at the show!

Monday, August 13, 2012

Detective Comics 14 Cover

The cover to Detective Comics issue 14 coming out November 7th!  This book features a story with Poison Ivy!

The idea was to have Batman caught in the tangled mess of vines with a confident Poison Ivy standing victorious over her catch.  I formed the vines into a batman logo in the background.  Jeromy Cox did a great job on colors as well!  Check out the process!

Oh and John Layman is killing it on his scripts!  Each one has its own feeling and really brings something exciting with a twist to each issue!  Im looking forward to seeing the finished product once these start hitting shelves!

Layouts I hand into DC for approval

Usually I draw covers in pencil first, but this one was far easier to do all in the digital phase.  Those vines were tough to draw but made much easier by doing them in layers.

Awesome colors by Jeromy! 

Tuesday, August 07, 2012

Batman Annual Commentary part 1

The Batman annual was an awesome experience for me as an artist.  Not only did I get to draw my fav Batman villian of all time, but I also got to work with some of the best writers today in Scott Snyder and James Tynion IV.

What Im going to do is go through some of the artwork and shed some light on the creation of the book and talk about my process as well.  So let's get to it!

 Page 1:  This sequence was the hardest to do in the book for one reason...it was simple!  I couldn't rely on crazy details and blacks like I usually like to do.  Instead I had to make sure the story elements worked well with each other and that the art got the point across that Victor and his mother were on a barren snowy field...or so we think!  I gave victor circular glasses in order to foreshadow his goggles later on.

Page 3: Scott had talked to me on the phone about creating a visual motif of a round object that would run through the entire book.  First we see the round, red apple on the white sky. I was really happy with how this sequence turned out and how we later revisit it at the end of the story.






The next sequence of the book was the most fun to draw.  We start with the closeup of Freeze's goggles, again playing with the red circle motif.  Freeze is a fun character to draw mostly because he's always stoic.  You don't have to go to far with his emotions.  You'll notice for the most part I started with him very stroic and as the book goes by, we see more and more emotion come out of him, especially on the last few pages. 
  When I go to draw a page, I build a very simple 3d set in a 3d modelling program and block out my layouts that way.  This allows me to get some funky and extreme camera angles as you can see here on these pages.  I really love the last panel on page 06 where freeze is rubbing the crayon on the wires.  Sometimes shots like that aren't in the script but as you read through it a vision pops in your head.  That's how that panel came to be. 




This page shows the importance of trusting your color artist.  Peter Steigerwald deserves a ton of credit for how awesome this book turned out.  When you have a great color artist who is willing to go those extra steps to make your pages really shine, as an artist, you feel that much more confident in yourself.  Peter goes that extra mile to color the icy water with color holds, making them glow and shimmer.  The guy is a king of digital painting and coloring.  We'll see more of his work ahead as well!


 I loved drawing that truck bursting through the glass. My favorite panel is the last one on the page showing Freeze's foot stepping out of the car. It's usually a little thing like that that will make my day. This page took a long time to draw!


Page 12:  The big reveal of the new Mr. Freeze.  First off, I didn't design the new suit.  At first when I saw the design, I wasn't too impressed.  Im an old school guy at heart and I particularly loved the design from the Arkham City game.  I really thought that the new design would follow something like that.  BUT, and here is a very big but, After drawing the costume a few times, I really started to love this design.  It's different and yet follows the classic formula. He still looks very much like the Animated Series Frank Millar design and yet with some updated things.  I'm happy they stuck with the pill shaped helmet as well and the red goggles.  Peter again kills it on these colors here.  


I like this page as well.  The last 2 panels were a ton of fun.  Again, using crazy perspective angles is fun, but also very tough to get everything to look right.  Sometimes it works, sometimes it doesn't.  I think it worked well here.


Back to a flashback!  Again, I wanted to go very simple, very little colors or blacks in order to let Peter play with the colors.  I wanted there to be a visual look for the things that happened in the flashbacks as opposed to the stuff that happens in the present.  Again here, I built a 3d set for the lab and used that to get all the crazy tubes and stuff.





The script called for a cool visual here with the last panel on page 18 and the next panel on page 19.  Also, Nora was fun to draw.  Reviewers mentioned that Nora looked similar to Victor's mother, but I honestly didn't mean for that to really happen.  Maybe it was a good thing because people seemed to like that weird little connection.  They say that men want to find a woman who is like their mother.  Maybe Victor proves that here!
Again, A cool color effect by Peter on page 19 to show Freeze brush aside the frost on the glass as well as the awesome colors on Victor's face on the last panel. Peter uses a cool purple in Victor's face throughout the book and it really makes him pop.  This is a simple little touch that most color artist would not do sadly.  Again, that's why Peter is one of the best.




Love the angle on the first panel.  Remember, if you can, always use a foreground, middle and Background elements.  I try to use this all the time in every panel.  Sometimes when I'm trying to get something like this to work (panel 1), I'll use photo reference.  I'll set up my macbook on the floor with the webcam on and take a few pictures of what I'm looking for in order to get all of the angles right.  From there I start to rough out the layout and begin to draw the page.  Again, notice the circle motif with the goggles.
Color artist....use fogs to help break up foreground and background elements.  And when you can, make sure you use the reflected colors in the room on the characters to make them blend with the room and not look like cut outs.  Study Peter's huge body of work in order to learn what to do!





A cool two page fight sequence.  I had fun with the freezing pipes exploding and encasing Nightwing in ice.  Again, foreground and background! 


Fun page to do.  Playing with digital art allows you to do some cool effects that would be tough to do in pencils alone.  Here you can see the splash effect of the exploding canisters.  I used lots of cool grunge splatters and stuff to give it a cool effect.  Peter rules here as well! 



This was my favorite page of the book.  I loved the idea of doing a cool sequence from Victor's perspective.  Peter's colors again make this look incredible!!

That's it for part 1!  I'll do more later as well as talk about my digital process.




Thursday, July 05, 2012

Detective Comics!

DC Comics Announces new creative team on Detective Comics!
http://www.dccomics.com/blog/2012/07/05/announcing-a-new-writer-and-artist-for-detective-comics

  Today the news broke about my "huge" project that I have been teasing here and over twitter for the last few weeks. I will be joining writer John Layman (Chew) on art duties for the next arc of Detective Comics, and I can't even begin to tell you how excited I am to receive this opportunity.

  First, I want to express how thankful I am to have this opportunity. Only in my wildest dreams did I ever think I would be in this position at this point in my career. But even when I think back to my wildest dreams, I still tried to think with a humble heart and figured I wouldn't have an opportunity to work on a Batman series for the first 10 years or so of my career. I think that's why I was so shocked when Mike Marts emailed me asking if I was ready for a "big" project and then presented me with Detective. I'm humbled that DC would entrust me with art chores on one of their greatest titles.

  I am also humbled to be the artist to follow up after Tony Daniel. I have been a fan of Tony's Batman work for the past few years and hope to take Detective comics forward and build upon what Tony has laid down on his run of the series. I hope Tony all the best on whatever he's going to do next and hope to support him in his future endevours.

  As for working with John Layman, I couldn't be more excited. John has pitched a great story and I was truly floored when I read through issue 13 ( our first issue of the arc). John is a great visual storyteller and he packs every page with meaningful panels, not to fill up space, but to always bring the story forward. We hope to deliver a quality Batman tale, filled with mystery, twists, turns, shockers and most of all, fun! I've only just started work on issue 13, but I'm so excited to draw this book and I wake up every morning energized to get to work and do my best. Batman fans are in for a treat with Mr. Layman at the helm.

Cover to Detective Comics 13

  As for myself, this is my opportunity to draw the Batman book I've always wanted to draw visually. Every other time I've worked on the character I've felt the need to retain the look and feel of the batman universe as drawn by the artist I was following. With this book I am ready to set the visual tone for the way I've always wanted to see batman drawn, as well as his universe. I am not taking this series lightly. I am going to pour my heart and soul into each and every panel and hopefully deliver the best art I am capable of. I am honored to join the other Batman artists such as Greg Capullo, Patrick Gleason, Chris Burnham, and my mentor David Finch. These are some of the best of the best in the business and I am flattered to be counted among them. I'm really hoping to deliver a gritty, realistic, film noir Batman with hints of the art deco stylings of the old animated series and the more modern take seen in the Chris Nolan films. I am hoping to let me influences gush out onto the page and create something that is familiar, classic and yet my own.

  If you told me 2 years ago when I started in the indistry that I would one day be working on Detective Comics, I wouldn't have believed you. I believe, as a Christian, that my career is a "God thing" as has been so many of the immense blessings and opportunities that my wife and I have received over the short time we have been married. God has been faithful to us, and I have never taken any of my work and opportunities for granted. I believe I need to perform at the best of my ability at all times, and God has blessed me and given me the desires of my heart. I give him all the glory in my career and know I wouldn't be here without His guidance and faithfulness in my life and that of my family.

Detective Comics 13 Cover Inks

  So now begins the next chapter in my life and career. I am ready for the challenge and hope that you will all enjoy the tale that Mr. Layman and I will bring you in the coming months. For my supporters, I hope to deliver to you the best work you've seen from me, and for those who may be skeptical that DC would choose an indie writer and an up-and-coming artist to handle one of their most legendary series, I'd ask you give us the chance to prove that we can deliver as big as any superstar creative team in the business.

Stay tuned, the adventure begins today!

Tuesday, June 26, 2012

Check out my variant for Batman Inc #3.
I did all three steps on this cover, pencils, inks and colors.

The idea was to use the Leviathan logo as the main logo for the book and have a beaten and bloodied Batman standing before it, showing the upcoming threat.  I wanted a very bright Red background so that it really stands out on the shelves!

I think it turned out well.
This peice is also for sale here!




God Bless
-JAY